I’m reading Harry Potter. And perhaps the thing I like best about Rowling is her whimsy. Now, the temptation to emulate someone I like is fairly standard and something I am aware I should generally avoid. But I think something needs to be said about feeling free to be silly. I don’t have to be so serious all the time.

I’m almost always silly with persons I love. Either silly or surly. Sometimes just sarcastic or ironic. But rarely serious, unless I have been moved to be such, and then only insofar as to communicate that thing about which I am serious. This of course doesn’t include times I am afraid or angry—those are the times I get quiet.

I just read this: https://www.brainpickings.org/2012/02/22/henry-miller-on-writing/

Miller echoes much of what I’ve read elsewhere. Namely, don’t write according to “Do I want to write right now?” Write according to a schedule or system, what he calls a program. Professional writers don’t wait around for inspiration—they work, and all that.

To some degree, I have done this. I did it more so when I was working on my first draft, when I could set a daily goal (2000 words). It’s more difficult now. I suppose I could set time periods. But this is difficult given that I write only when there’s nothing else to do. Writing always takes second seat.

I have been making a lot of “development documents” for the novel, but I typically just draft when writing shorter pieces. I know I have a tendency to do development documents for things I’m afraid of getting wrong, and I think I also do it for the novel because I haven’t wanted to do “unnecessary work,” knowing how much time might be “wasted” if I write things that’ll just be thrown out.

In my drafting process, I read what I have over and over again, and when I do, if something strikes me as needing to be changed, I do it. Often this brings something else to mind or sight that needs to be changed, so I do that as well. And I keep reading and changing.

Writing is just living. Trying to do what I can to love others. Its success, if it can be called that, is not in how many people respond well to it. Its success is the same as asking “Is it a successful life?” And what is a successful life but a good life, and a good life but one that comes from the life giver, from God? One that lives for God and for others? That is a good life. And thus, that is good writing. To write for God and others. To write with them.

How should I edit my Learning By Keyboard documents prior to posting them?

The temptation is to appear to know all things. To be a superlative thinker and writer.

I read through these things I dealt with months ago, I find things that I have since corrected (in my thinking), and I want to change them to represent what I think now. I don’t want to appear like I don’t know something.

Wood pulp,

Dried and bleached by sleep,

Laid and stacked,

White for writing,

Dropped from a height

Guidelines for writing my thinking documents.

I should only have guidelines that protect me from veering into showmanship. I shouldn’t turn this into some legalistic, neurotic pursuit. I should try to remain true to what I naturally do, which is write to think. The only difference is that I’m revealing my inner dialogue to others.

So how does a person think out loud? Or more accurately, how does a person who naturally fixates on appearing like he has everything figured out think out loud and still be authentic in doing so?

A portal threat (in a narrative) seems to assume that danger is only external to one’s own world. It’s just not realistic. And it has more in common with a simplistic and separatist worldview—that we will cordon ourselves off from all threats in order to be safe—than a truly good one (a godly one).

In the good one, the hero enters into the darkness and faces danger, even at her own expense, in order to save the rest of them. Or to save the ones on the other side of the portal. Or simply out of faithfulness to a godly call, which is just faith working through love.

Christ

------If not

----For Love,

--Fear would

Win.

I’m not sure if I want to have it or not. Tolkien doesn’t have a strict routine with it, though I believe he does have some commentary on things. Rowling also uses inner dialogue.

It seems that you can do a better job showing the progression of learning and feeling in the protagonist if you show not just how he or she acts but also how he or she thinks and feels. It’s a strength of writing that you can do this. It seems like it’d be a more fertile soil for showing the changes in the character, which is what the story is all about, really.